This is a nifty little book, an eighty-page, light and airy instalment in Tate’s ‘Movements in Modern Art’ series.
In its seven fast-moving chapters it captures the feverish activity of the Italian Futurists from the eruption of the First Futurist Manifesto, which was published on the front page of the French newspaper Le Figaro on 20 February 1909 – until the collapse of Mussolini’s Fascist regime, to which many Futurists had attached themselves – in 1943.
Thirty-five hectic years!
That founding manifesto is worth quoting at length (this is just the middle part of it):
- We intend to sing the love of danger, the habit of energy and fearlessness.
- Courage, audacity, and revolt will be essential elements of our poetry.
- Up to now literature has exalted a pensive immobility, ecstasy, and sleep. We intend to exalt aggressive action, a feverish…
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